A cornucopiaed outer shell somewhere between Puryear and Kapoor? Or projected images weaving a drunken path, undulating the vertical to horizontal axes? Maybe both.
The solid form of a conical shape analogous to the proverbial (and pedestaled) object or empty skin perhaps in larger scale to suggest potential of human interactivity via architectural structure versus reference to Scorcese and his tunnel of love tracking shot dealing with the politics of site-specificity as interiorized public space contains enough mental furniture to move about.
Tomorrow Benny Hill