Joseph Heller wrote sometimes a great notion.
Which amounts to as good an explanation as any for regurgitating Constantin Brancusi as a new series of work. Like Bruce Nauman whose affinity for puns translated into photographic exercises as text, substitute cultural context to remake Bird in Space or At the Beginning of the World. Perhaps outcome is manifest sculpturally through aforementioned orientalia. What began as paraphrasing with blue variation of the Endless Column via porcelain rice bowls begs a complete sentence.
A fuller picture to define this investigation needs to be developed.